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Late 19th C. gilded Aesthetic frame. This copper leaf frame has a flat liner with square, flat top with an applied ornament running leaf pattern and square corner blocks topped with four leaves. -
Late 19th C. walnut frame with stenciled liner. This frame has a silver leaf, stenciled liner that has been coated with a golden varnish for a pale gold appearance. The top edge of the walnut cove frame has been carved in a curving branch design with shields at each corner. Original surfaces. -
Italian 18th or 19th C. polychrome reverse profile frame This frame has a narrow cove sight edge with a broad torus top edge descending in a cove to the rounded back edge. The original gold leaf has been removed to expose the gesso and red and hello bole beneath. Some traces of leaf still remain. -
Late 19th C. gold leaf Barbizon frame. This reverse profile frame has a bright original finish with applied ornament curling leaves and flowers on a convex crosshatched background radiating out from the centers of the frame. Acanthus leaf corners with convex sides below and outside leaf and dart motif with a raised plain back edge. -
Late 19th C. Walnut with silver leaf frame. This frame has a cove at the sight edge with a flat frieze overlaid with applied ornament, silver leafed scrolling leaves and an outer cove with a narrow rounded top edge. Original finish and patina. -
Out of stock
Mid 19th C. American silver leaf arched top mirror frame. This frame has a narrow convex sight edge with inner and outer coves below the half round top edge with a raised rounded outer back edge. Original mirror. -
European Louis XIV style silver leaf frame. This applied ornament frame has a beaded sight edge with a burnished cove with low relief leaves and flowers on a crosshatched background with corner and center cartouches typical for this 17th C. French design. -
Late 19th C. reverse profile Rococo Revival frame. This gold leaf frame has a flat liner with beads surrounding below a small cove stepped up to a leaf, stick and ball top edge with corner straps descending to a concave outer portion with an undulating outer edge with twining leaves and flowers and acanthus leaves at the corners. Applied ornament with original brightly burnished highlights over gray bole. -
Late 19th C. Eastlake frame. This frame is oak with the gold leaf laid directly onto the wood. A narrow black liner with a signal row for beads at the sight edge with incised decoration and raised corner blocks with carved rosettes. Original surfaces. Typical design for the late 19th C. Eastlake style named after the Arts and Crafts architect and designer Charles Eastlake. -
French carved and gilded Louis XIII style frame. This gold leaf frame containing a mercury gilded mirror has a curling ribbon and leaf motif at the sight edge, plain scotia and carved oak leaves and acorn at the top edge. The worn surfaces has exposed the red bole and darkened wood underneath. -
American circa 1830 overmantel mirror frame This carved wood and gold leaf frame has a plain narrow base with half round elements on the sides and top overlaid with acanthus leaves at the bottoms of the columns and large curling leaves at the top corners. Original finish and patina. -
Early 20th C. carved, gold leaf frame. This frame has stepped cove sight edge with a convex profile that has carved leaves symmetrically extending from straps at the centers to the curving corner elements. The frame has been sized in the long dimension.
206.441.4062
